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To wrap it up, this new interface is really excellent. If needed, you still have the possibility to quickly switch between tools via a pop-up window using the "T" keyboard shortcut or clicking with the mouse wheel (which must be preset as "center button"). The type of operation/action is defined by the place where you click the object. Thus, without changing tools, you can add and edit notes in the piano roll, move clips, manage fades in/out in an audio track, edit an automation curve in the neighbor track (depending on the filter of the selected track). Although the usual tools are still available, you almost don't need them anymore, because the mouse automatically adapts to what you're doing and where you're doing it. The basic idea is that you don't need to change tools to manage different tasks. Thanks to this intelligent tool, Cakewalk has made the workflow with a mouse much more fluid now. For MIDI tracks, transient editing is replaced by note editing.Īnd it all turns even more awesome with the SmartTool. It allows you to edit clips, track or clip automation curves, as well as audio transients (audiosnap). From now on, this menu allows you to display and edit only the desired automation curve. The days when you risked moving a clip by clicking on the wrong place when you wanted to edit overlayed automation curves are now over. This is what Cakewalk calls Track Filter. Beside the new GUI that makes everything much more readable, a simple but highly valuable function has been added: each track head includes a menu to select the track's content display and what you want to edit. Everything is easily accessible, immediate and intuitive. You can also display the ProChannel, which we will describe later and add valuable information: properties and effects of the clip or the groove, track properties, audiosnap settings, and a very convenient notepad. For audio tracks, you get two tracks displayed side by side: the current track and the output bus it is assigned to (or the main out if the track is not routed to a bus). This means that, for MIDI tracks, you now get the extended view with direct access to many parameters like arpeggiator, groove, etc. It has been updated and improved, and is now twice as wide by default. The same applies to the new track inspector. However, the Multidock is still a very valuable feature. That way you wouldn't have to look for some of them in the main menu. We miss the possibility to open a window directly from a menu in the Multidock. Moreover, context menus have been added directly to each window, allowing you to access all useful functions and controls. And even more annoying: after dragging the browser into the Multidock on the second screen, Sonar will crash if you try to take it back.
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Awesome!īut, there is a problem: when the Multidock is in fullscreen mode on the second monitor and you are using virtual instruments, it will appear in window mode after you restart the program and the virtual instruments will be on floating windows again.
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That's probably the ideal working configuration: it allows us to keep a track plus the inspector maximized on one screen while other elements are displayed on the other screen. Like all other windows, the Multidock can be moved to a second monitor. You can browse among the different elements using tabs. You can also drag the browser, virtual instruments, etc.
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The Multidock (on the bottom by default) can host any element: the content of the current track, the mixer, the step sequencer, the matrix, etc. This way you can create different working environments depending on the task and instantaneously switch between them.
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The different screen configurations can be saved in ten screen sets, six of which can be directly accessed by clicking on the tool bar. The Global View displays the main elements (see screenshot below).Īll these elements can be floating, and the user can move, enlarge or reduce them. The new default screen layout recalls the old one. Everything is much clearer, much more easily readable, and all functions -especially the most interesting and powerful ones- are now easily accessible.
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It's almost as if Cakewalk developers asked themselves: if we could create a new software from scratch, how would we do it? The result includes new windows, a new menu and function structure, and loads of work on graphic aspects. Experienced users got on with it and liked to have a lot of information in front of their eyes, but new users could get easily lost and even miss interesting functions the software offers.įor this new version, Cakewalk put most of its efforts in redesigning the user interface. A recurrent reproach about previous Sonar versions was its confusing interface.